
Solid 18K gold, hallmarked Au750. Shaped by a jeweller’s hand to mark fifteen years of RIGARDS.


The summit of the craft. Gold, mother of pearl, and buffalo horn — shaped by the few hands in the world that can.

Of everything a person wears, one thing alone rests on the face — met in every gaze, present in every photograph, worn from morning to night. It is at once the most personal thing we put on and the most seen. Held to that truth, a frame is no accessory but a piece of jewellery: a made object, precious and particular, meant to be worn for years and kept for good.

It begins with materials few know how to handle, and a discipline fewer still have mastered — held by a small number of hands, and passed on slowly. What such hands can shape is finite: only as many exist as the material and the mastery will allow, and no more were ever possible.
Matter that nature makes slowly, and in small measure — kept beautiful for generations, and each with a story of its own.

Warm, dense, all but incorruptible — worn a lifetime and keeping its light.

Cool and bright, worked to a fine line — with a patina that deepens over time.

Cut and shaped by hand; no two pieces ever quite the same.

Cut to hold the light, and set one by one, by hand.

Lifted from the shell — an iridescence nothing man-made can imitate.

Feather-light and unbending — it all but disappears once worn.

Objects like these are seldom gathered in one place. They are made far apart, in small numbers, and were never meant to be easy to find. Bringing them together takes years of looking — an eye that knows the rare from the merely costly, and the patience to wait for the right piece to surface. What the world keeps scattered now has a single home: here, within reach, kept for those who know the difference.
The latest to arrive, and the highest the house has reached: a frame of solid eighteen-carat gold — worked by hand from end to end. It is the crown of the Gem and RareCraft Series, one hundred pieces worldwide.











Above every limited edition stands a shorter number still: one. Not a hundred, not eighty — a single piece, made for a single person, cut by hand from buffalo horn and carried through by one maker in Burgundy. Where the editions are rare, this is singular — an object that exists once, and will not exist again.

Some things are known only in the hand — met in private, at our gallery on Nahalat Binyamin.
Behind each: a maker’s hands, an exceptional material, and a story worth knowing.

Solid 18K gold, hallmarked Au750. Shaped by a jeweller’s hand to mark fifteen years of RIGARDS.

Eight weeks at Gérard’s bench in Sens, carving buffalo horn to one face — your name set inside the temple.

Five Sabae craftsmen, each a lifetime deep in one discipline, working titanium and acetate alongside Toyama himself.

Hand-picked buffalo horn, inlaid with grey-blue mother of pearl in the Raden technique — set piece by piece.

The Double Dutch line, remade in titanium and plated in 24-karat gold, thirty times the usual thickness.

Each frame begins as a 10mm cube of Japanese bio-acetate — then eighteen months in the hands of Sabae’s craftsmen.